{"id":6041,"date":"2023-04-11T11:05:23","date_gmt":"2023-04-11T09:05:23","guid":{"rendered":"http:\/\/web.unibas.it\/life\/?page_id=6041"},"modified":"2023-05-26T08:43:23","modified_gmt":"2023-05-26T06:43:23","slug":"framing-souths-programma-3","status":"publish","type":"page","link":"https:\/\/web.unibas.it\/life\/it\/framing-souths-programma-3\/","title":{"rendered":"Framing Souths &#8211; Programma3"},"content":{"rendered":"\n<p class=\"has-text-align-center has-large-font-size\"><strong>Framing Souths<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Letterature e linguaggi, cinema e fotografia,<\/strong><br><strong>fototesto e nuovi media&nbsp;<\/strong><\/p>\n\n\n\n<p style=\"font-size:18px\" class=\"has-text-align-center\"><strong>Universit\u00e0 di Torino<\/strong><br><strong>24-26 maggio 2023<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h1 class=\"has-text-align-center wp-block-heading\"><strong>Programma<\/strong><\/h1>\n\n\n\n<p style=\"font-size:18px\" class=\"has-text-align-center\"><strong><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">\u2003\u20033<sup>a<\/sup> Giornata (26 maggio 2023)\u2003\u2003<\/span><\/strong><br><span style=\"font-size:14px\"><a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programma\/\">1<sup>a<\/sup> Giornata (24 maggio 2023)<\/a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programma-2\/\">2<sup>a<\/sup> Giornata (25 maggio 2023)<\/a><\/span><\/p>\n\n\n\n<p style=\"font-size:14px\" class=\"has-text-align-center\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#dddddd;color:#000000; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;Auditorium&nbsp;&nbsp;<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R2&nbsp;<\/span>&nbsp;<span style=\"background-color:#dddddd;color:#000000; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;Sala lauree&nbsp;&nbsp;<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;<span style=\"font-size:8pt\">9:00 &#8211; 11:00<\/span><span style=\"font-size:10pt; margin-inline-end: 82px;\">\u2003\u2003\u2003SESSIONE PLENARIA<\/span><\/span><\/strong><br><strong><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\">9:00 &#8211; 9:20<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style=\"font-size:8pt\">Apertura lavori<\/span><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 15&nbsp;&nbsp;<\/span>&nbsp;&nbsp;<\/strong><br>\n<span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Ripensare il Sud: decolonizzazione, decostruzione e contronarrazione&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Serenella Iovino&nbsp;<\/strong>(Univ. of North Carolina)<\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;15A&nbsp;<\/strong><\/span><em>&nbsp;&nbsp;<\/em><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>9:20 &#8211; 9:50<\/strong><\/span><br><strong><span style=\"color:#737a81; font-size:8pt; margin-inline-start: 27px;\" class=\"has-inline-color has-text-color\">Keynote speaker<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Elena Past&nbsp;<\/strong>(Wayne State Univ.)<strong><br><\/strong><\/span><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Colonialismo, biodiversit\u00e0 e cinema italiano. Passato, presente, futuro: il Ferraniacolor e il Sud globale<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;15B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>9:50 &#8211; 10:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Alessandro Vescovi&nbsp;<\/strong>(Univ. di Milano)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong><em>The Living Mountain<\/em> di Amitav Ghosh come luogo di resistenza ambientale<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;15C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>10:10 &#8211; 10:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Emily Antenucci <\/strong>(Vassar College, New York)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Storie di vita, di terra e di cinema: narrazioni umane e non umane in <em>In Viaggio con Cecilia<\/em><\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>10:30 &#8211; 11:00<\/strong><\/span><br><br>\n<span style=\"background-color:#BBBBBB; color:#0f3545; font-size:8pt\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;11:00 &#8211; 11:30<\/strong><span style=\"color:#000000; margin-inline-start: 27px; margin-inline-end: 180px;\"><strong>Coffee break<\/strong><\/span><\/span><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p><strong><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;<span style=\"font-size:8pt\">11:30 &#8211; 13:00<\/span><span style=\"font-size:10pt; margin-inline-start: 45px; margin-inline-end: 85px;\">SESSIONE PARALLELA<\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 16&nbsp;&nbsp;<\/span><\/strong><br><span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Proteggere il Sud: distopie, ecocidi e ambientalismo&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt;\"><strong><em>&nbsp;&nbsp;Irene De Angelis&nbsp;<\/em><\/strong><em>(Univ. di Torino)<\/em><\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;16A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:30 &#8211; 11:50<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Fabien Landron&nbsp;<\/strong>(Univ. della Corsica)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Distopie all\u2019italiana: <em>Anna<\/em> (serie TV di Niccol\u00f2 Ammaniti, 2021) e <em>Mondocane<\/em> (film di Alessandro Celli, 2021)<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;16B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:50 &#8211; 12:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Maria Stella Lomi&nbsp;<\/strong>(Univ. di Torino)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Annientamento e Stati Uniti sudorientali: una reazione all\u2019ecocidio della Florida<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;16C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:10 &#8211; 12:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Claudio Panella&nbsp;<\/strong>(Univ. di Torino)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"<strong>\u201cTorniamo indietro! Ricominciamo da capo!\u201d: il Sud di Tommaso Di Ciaula tra \n fervore ambientalista ed emancipazione poetica<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:30 &#8211; 13:00<\/strong><\/span><br><br>\n<strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R2&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 17&nbsp;&nbsp;<\/span><\/strong><br><span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Guardare a Sud: incontri, rapporti e resilienza&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt;\"><strong><em>&nbsp;&nbsp;Pietro Deandrea&nbsp;<\/em><\/strong><em>(Univ. di Torino)<\/em><\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;17A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:30 &#8211; 11:50<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Vicente Alemany&nbsp;<\/strong>(Rey Juan Carlos Univ. of Madrid)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Chris Ofili e David Adjaye: gli immaginari pittorici del Sud e le loro nuove cornici scenografiche<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;17B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:50 &#8211; 12:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Lia Emilia Zola&nbsp;<\/strong>(Univ. di Torino)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Apicoltura e intrecci multispecie: una prospettiva dal Sud Europa<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;17C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:10 &#8211; 12:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Val\u00e9rie Tosi&nbsp;<\/strong>(Univ. di Pisa)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Riappropriarsi del linguaggio, inquadrare il Paese: ecolessicografia ed ecologia \n affettiva in <em>The Yield<\/em> di Tara June Winch<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:30 &#8211; 13:00<\/strong><\/span><br><br>\n<span style=\"background-color:#BBBBBB; color:#0f3545; font-size:8pt\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;13:00 &#8211; 15:00<\/strong><span style=\"color:#000000; margin-inline-start: 27px; margin-inline-end: 180px;\"><strong>Break<\/strong><\/span><\/span><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p><strong><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;<span style=\"font-size:8pt\">15:00 &#8211; 17:30<\/span><span style=\"font-size:10pt; margin-inline-start: 45px; margin-inline-end: 85px;\">SESSIONE PLENARIA<\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 18&nbsp;&nbsp;<\/span>&nbsp;&nbsp;<\/strong><br>\n<span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Interpretare il Sud: poesie, performance e videoarte&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Carmen Concilio&nbsp;<\/strong>(Univ. di Torino)<\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;18A&nbsp;<\/strong><\/span><em>&nbsp;&nbsp;<\/em><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>15:00 &#8211; 15:50<\/strong><\/span><br><strong><span style=\"color:#737a81; font-size:8pt; margin-inline-start: 27px;\" class=\"has-inline-color has-text-color\">Keynote speaker<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Anna Maria Gehnyei&nbsp;<\/strong>(in arte Karima 2G)<strong><br><\/strong><\/span><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Presentazione del romanzo <em>Il corpo nero<\/em> (Fandango, 2023), con <em>Pietro Deandrea<\/strong> (Univ. di Torino)<\/em><\/span><\/strong><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;18B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>15:50 &#8211; 16:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Sabine Forero Mendoza&nbsp;<\/strong>(Univ. di Pau)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>\u201cUn fiume lo attraversa\u201d. Il fiume protagonista in alcune creazioni di artiste colombiane contemporanee<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;18C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>16:10 &#8211; 16:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Tania Haberland <\/strong>(Univ. di Bruxelles)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Intrecci mauriziani: un\u2019indagine ecopoetica nei termini di Karen Barad riguardo al realismo agentivo nel suo libro <em>Meeting the Universe Halfway<\/em> (2007), da una poetessa alle Mauritius nel 2022\/23<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>16:30 &#8211; 17:00<\/strong><\/span><br><br><strong><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\">17:00 &#8211; 17:30<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style=\"font-size:8pt\">Chiusura lavori<\/span><\/strong><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p style=\"font-size:18px\" class=\"has-text-align-center\"><span style=\"font-size:14px\"><a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programma\/\">1<sup>a<\/sup> Giornata (24 maggio 2023)<\/a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programma-2\/\">2<sup>a<\/sup> Giornata (25 maggio 2023)<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Framing Souths Letterature e linguaggi, cinema e fotografia,fototesto e nuovi media&nbsp; Universit\u00e0 di Torino24-26 maggio 2023 Programma \u2003\u20033a Giornata (26 maggio 2023)\u2003\u20031a Giornata (24 maggio 2023)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2a Giornata (25 maggio 2023) &nbsp;R1&nbsp;&nbsp;&nbsp;&nbsp;Auditorium&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;R2&nbsp;&nbsp;&nbsp;&nbsp;Sala lauree&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;R1&nbsp;&nbsp;&nbsp;&nbsp;9:00 &#8211; 11:00\u2003\u2003\u2003SESSIONE PLENARIA9:00 &#8211; 9:20&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Apertura lavori &nbsp;R1&nbsp;&nbsp;&nbsp;&nbsp;PANEL 15&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Ripensare il Sud: decolonizzazione, decostruzione e contronarrazione&nbsp;Chair&nbsp;&nbsp;Serenella Iovino&nbsp;(Univ. of North Carolina)&nbsp;15A&nbsp;&nbsp;&nbsp;9:20 &#8211; 9:50Keynote speaker&nbsp;&nbsp;Elena &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/web.unibas.it\/life\/it\/framing-souths-programma-3\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Framing Souths &#8211; Programma3&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages\/6041"}],"collection":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/comments?post=6041"}],"version-history":[{"count":10,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages\/6041\/revisions"}],"predecessor-version":[{"id":6169,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages\/6041\/revisions\/6169"}],"wp:attachment":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/media?parent=6041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}