{"id":5961,"date":"2023-04-07T14:29:51","date_gmt":"2023-04-07T12:29:51","guid":{"rendered":"http:\/\/web.unibas.it\/life\/?page_id=5961"},"modified":"2023-05-26T08:44:20","modified_gmt":"2023-05-26T06:44:20","slug":"framing-souths-programme-3","status":"publish","type":"page","link":"https:\/\/web.unibas.it\/life\/framing-souths-programme-3\/","title":{"rendered":"Framing Souths &#8211; Programme3"},"content":{"rendered":"\n<p class=\"has-text-align-center has-large-font-size\"><strong>Framing Souths<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Literatures and Languages, Cinema and Photography,&nbsp;<\/strong><br><strong>Phototext and New Media<\/strong><\/p>\n\n\n\n<p style=\"font-size:18px\" class=\"has-text-align-center\"><strong>University of Torino<br>24-26 May 2023<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h1 class=\"has-text-align-center wp-block-heading\"><strong>Programme<\/strong><\/h1>\n\n\n\n<p style=\"font-size:18px\" class=\"has-text-align-center\"><strong><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">\u2003\u2003DAY 3 (May 26, 2023)\u2003\u2003<\/span><\/strong><br> <span style=\"font-size:14px\"><a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programme\/\">DAY 1 (May 24, 2023)<\/a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programme-2\/\">DAY 2 (May 25, 2023)<\/a><\/span><\/p>\n\n\n\n<p style=\"font-size:14px\" class=\"has-text-align-center\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#dddddd;color:#000000; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;Room 1 \/ Auditorium&nbsp;&nbsp;<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R2&nbsp;<\/span>&nbsp;<span style=\"background-color:#dddddd;color:#000000; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;Room 2 \/ Sala lauree&nbsp;&nbsp;<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;<span style=\"font-size:8pt\">9:00 &#8211; 11:00<\/span><span style=\"font-size:10pt; margin-inline-end: 82px;\">\u2003\u2003\u2003PLENARY SESSION<\/span><\/span><\/strong><br><strong><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\">9:00 &#8211; 9:20<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style=\"font-size:8pt\">Opening remarks<\/span><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 15&nbsp;&nbsp;<\/span>&nbsp;&nbsp;<\/strong><br>\n<span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Rethinking the South: decolonization, deconstruction and counternarrative&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Serenella Iovino&nbsp;<\/strong>(Univ. of North Carolina)<\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;15A&nbsp;<\/strong><\/span><em>&nbsp;&nbsp;<\/em><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>9:20 &#8211; 9:50<\/strong><\/span><br><strong><span style=\"color:#737a81; font-size:8pt; margin-inline-start: 27px;\" class=\"has-inline-color has-text-color\">Keynote speaker<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Elena Past&nbsp;<\/strong>(Wayne State Univ.)<strong><br><\/strong><\/span><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Colonialism, biodiversity, and Italian cinema. Past, present, future: Ferraniacolor and the Global South<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;15B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>9:50 &#8211; 10:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Alessandro Vescovi&nbsp;<\/strong>(Univ. of Milano)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Amitav Ghosh\u2019s <em>The Living Mountain<\/em> as a site of environmental resistance<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;15C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>10:10 &#8211; 10:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Emily Antenucci <\/strong>(Vassar College, New York)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Stories from life, land, and cinema: human and nonhuman narratives in <em>In Viaggio con Cecilia<\/em><\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>10:30 &#8211; 11:00<\/strong><\/span><br><br>\n<span style=\"background-color:#BBBBBB; color:#0f3545; font-size:8pt\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;11:00 &#8211; 11:30<\/strong><span style=\"color:#000000; margin-inline-start: 27px; margin-inline-end: 180px;\"><strong>Coffee break<\/strong><\/span><\/span><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p><strong><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;<span style=\"font-size:8pt\">11:30 &#8211; 13:00<\/span><span style=\"font-size:10pt; margin-inline-start: 45px; margin-inline-end: 85px;\">PARALLEL SESSION<\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 16&nbsp;&nbsp;<\/span><\/strong><br><span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Protecting the South: dystopias, ecocides and environmentalism&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt;\"><strong><em>&nbsp;&nbsp;Irene De Angelis&nbsp;<\/em><\/strong><em>(Univ. of Torino)<\/em><\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;16A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:30 &#8211; 11:50<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Fabien Landron&nbsp;<\/strong>(Univ. of Corsica)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Italian dystopias: <em>Anna<\/em> (TV series by Niccol\u00f2 Ammaniti, 2021) and <em>Mondocane<\/em> (film by Alessandro Celli, 2021)<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;16B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:50 &#8211; 12:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Maria Stella Lomi&nbsp;<\/strong>(Univ. of Torino)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Annihilation and the Southeastern U.S.: a reaction to Florida\u2019s ecocide<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;16C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:10 &#8211; 12:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Claudio Panella&nbsp;<\/strong>(Univ. of Torino)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>&#8220;Let\u2019s go back! Let\u2019s start over!\u201d: Tommaso Di Ciaula\u2019s South between environmentalist fervour and poetic emancipation<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:30 &#8211; 13:00<\/strong><\/span><br><br>\n<strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R2&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 17&nbsp;&nbsp;<\/span><\/strong><br><span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Looking at the South: encounters, relationships and resilience&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt;\"><strong><em>&nbsp;&nbsp;Pietro Deandrea&nbsp;<\/em><\/strong><em>(Univ. of Torino)<\/em><\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;17A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:30 &#8211; 11:50<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Vicente Alemany&nbsp;<\/strong>(Rey Juan Carlos Univ. of Madrid)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Chris Ofili and David Adjaye: the pictorial imaginaries of the South and their new scenographic frames<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;17B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>11:50 &#8211; 12:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Lia Emilia Zola&nbsp;<\/strong>(Univ. of Torino)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Bee keeping and multispecies entanglements: a perspective from Southern Europe<\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;17C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:10 &#8211; 12:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Val\u00e9rie Tosi&nbsp;<\/strong>(Univ. of Pisa)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Reclaiming language, framing the country: ecolexicography and affective ecology in Tara June Winch\u2019s <em>The Yield<\/em><\/strong><\/span><br>\n<span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt;\" class=\"has-inline-color\"><strong>12:30 &#8211; 13:00<\/strong><\/span><br><br>\n<span style=\"background-color:#BBBBBB; color:#0f3545; font-size:8pt\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;13:00 &#8211; 15:00<\/strong><span style=\"color:#000000; margin-inline-start: 27px; margin-inline-end: 180px;\"><strong>Break<\/strong><\/span><\/span><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p><strong><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;<span style=\"font-size:8pt\">15:00 &#8211; 17:30<\/span><span style=\"font-size:10pt; margin-inline-start: 45px; margin-inline-end: 85px;\">PLENARY SESSION<\/span><\/span><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><span style=\"background-color:#ff2222;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;R1&nbsp;<\/span>&nbsp;<span style=\"background-color:#0f3545;color:#ffffff; font-size:10pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;&nbsp;PANEL 18&nbsp;&nbsp;<\/span>&nbsp;&nbsp;<\/strong><br>\n<span style=\"background-color:#0f3545;color:#ffffff; font-size:9pt\" class=\"has-inline-color has-text-color has-background\">&nbsp;Interpreting the South: poems, performance and video art&nbsp;<\/span><br><strong><span style=\"color:#737a81; font-size:8pt\" class=\"has-inline-color\">Chair<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Carmen Concilio&nbsp;<\/strong>(Univ. of Torino)<\/span><\/em><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;18A&nbsp;<\/strong><\/span><em>&nbsp;&nbsp;<\/em><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>15:00 &#8211; 15:50<\/strong><\/span><br><strong><span style=\"color:#737a81; font-size:8pt; margin-inline-start: 27px;\" class=\"has-inline-color has-text-color\">Keynote speaker<\/span><\/strong><em><span style=\"font-size:8pt\"><strong>&nbsp;&nbsp;Anna Maria Gehnyei&nbsp;<\/strong>(aka Karima 2G)<strong><br><\/strong><\/span><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Presentation of the novel <em>Il corpo nero<\/em> (The black body, Fandango, 2023), with <em>Pietro Deandrea<\/strong> (Univ. of Torino)<\/em><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;18B&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>15:50 &#8211; 16:10<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Sabine Forero Mendoza&nbsp;<\/strong>(Univ. of Pau)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>\u201cA River Runs Through It\u201d. The river as protagonist in some creations of contemporary Colombian women artists<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;18C&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>16:10 &#8211; 16:30<\/strong><\/span><br><em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Tania Haberland <\/strong>(Univ. of Bruxelles)<\/span><br><\/em><span style=\"font-size:8pt; margin-inline-start: 27px;\"><strong>Mauritian Entanglements: an ecopoetic diffracted inquiry into Karen Barad\u2019s terms regarding agential realism in her 2007 book <em>Meeting the Universe Halfway<\/em>, from a poet in Mauritius in 2022\/23<\/strong><\/span><br><span style=\"background-color:#0f3545;color:#ffffff\" class=\"has-inline-color has-text-color has-background\"><strong>&nbsp;Q\/A&nbsp;<\/strong><\/span>&nbsp;&nbsp;<span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\"><strong>16:30 &#8211; 17:00<\/strong><\/span><br><br><strong><span style=\"color:#0f3545; font-size:8pt\" class=\"has-inline-color\">17:00 &#8211; 17:30<\/span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style=\"font-size:8pt\">Closing remarks<\/span><\/strong><\/p>\n\n\n\n<hr width=\"90%\" style=\"background-color: #0f3545\"\/>\n\n\n\n<p style=\"font-size:18px\" class=\"has-text-align-center\"><span style=\"font-size:14px\"><a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programme\/\">DAY 1 (May 24, 2023)<\/a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"http:\/\/web.unibas.it\/life\/index.php\/framing-souths-programme-2\/\">DAY 2 (May 25, 2023)<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Framing Souths Literatures and Languages, Cinema and Photography,&nbsp;Phototext and New Media University of Torino24-26 May 2023 Programme \u2003\u2003DAY 3 (May 26, 2023)\u2003\u2003 DAY 1 (May 24, 2023)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;DAY 2 (May 25, 2023) &nbsp;R1&nbsp;&nbsp;&nbsp;&nbsp;Room 1 \/ Auditorium&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;R2&nbsp;&nbsp;&nbsp;&nbsp;Room 2 \/ Sala lauree&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;R1&nbsp;&nbsp;&nbsp;&nbsp;9:00 &#8211; 11:00\u2003\u2003\u2003PLENARY SESSION9:00 &#8211; 9:20&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Opening remarks &nbsp;R1&nbsp;&nbsp;&nbsp;&nbsp;PANEL 15&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Rethinking the South: decolonization, deconstruction and counternarrative&nbsp;Chair&nbsp;&nbsp;Serenella &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/web.unibas.it\/life\/framing-souths-programme-3\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Framing Souths &#8211; Programme3&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages\/5961"}],"collection":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/comments?post=5961"}],"version-history":[{"count":32,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages\/5961\/revisions"}],"predecessor-version":[{"id":6170,"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/pages\/5961\/revisions\/6170"}],"wp:attachment":[{"href":"https:\/\/web.unibas.it\/life\/wp-json\/wp\/v2\/media?parent=5961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}